Recent Work

New Craftsman Gallery, St Ives – March 2011

New Craftsman Gallery, St Ives – March 2011

Gallery of the Month Feature, Cornwall Today March 2011. The New Craftsman, purportedly the longest running gallery in St Ives, is undergoing an exciting transformation.  The latest phase in this gallery’s long relationship with St Ives and its artists will see an evolution of the 

Food Hero – Helen Venning of Newlyn Cheese & Charcuterie

Food Hero – Helen Venning of Newlyn Cheese & Charcuterie

‘Food Hero’ Feature, Published Cornwall Today 2011. Helen Venning’s tiny cheese shop is creating a buzz in Newlyn, where shoppers are rediscovering the joys of high street food shopping. It’s Friday afternoon and the counter of Newlyn Cheese & Charcuterie is hotly contested territory, as 

Roger Hilton at Newlyn Art Gallery – Jan 2011

Roger Hilton at Newlyn Art Gallery – Jan 2011

An interview with artist Rose Hilton on the occasion of a major show of her late husband’s work at Newlyn Art Gallery. Proof Diary, January 2011 “Rose Hilton’s unassuming home is reached down an unmade road in the quiet village of Botallack, not far from 

Krowji Open Studios Report – Dec 2010

Krowji Open Studios Report – Dec 2010

Krowji Studios in Redruth is an eclectic hive of artists studios and home to The Melting Pot Café, mesmerisingly decorated with chopsticks, teaspoons and dolls heads. There are Open Studios events at Christmas and in the spring as part of the Cornwall Open Studios season. 

The Cornish Duck Company – Feature in Taste Cornwall 2009

The Cornish Duck Company – Feature in Taste Cornwall 2009

In 2006 Tanya Dalton and Roger Olver began converting the farm where Roger’s family have lived for five generations into a thriving, free-range duck estate. Now encompassing a hatchery, nursery, paddling pools, large outdoor runs, even a holiday village and retirement plot, this is a 

Transient Forms – Kaisa Karikoski & Daphne Turner

Transient Forms – Kaisa Karikoski & Daphne Turner

Published Inside Cornwall, 2009 Kaisa Karikoski and Daphne Turner have a strikingly similar method of responding to landscape through abstract forms, yet this is resolved into two divergent styles. The result is a fascinating dialogue about what abstraction means and how shapes, lines and colours